The publication of a new biography of — and a new translation by John Ashbery of the poems of — Arthur Rimbaud, the prodidgy of French modern poetry, have been the occasions for several articles about the poet and his life.
Rimbaud was notorious as a youth for his homosexual relationship with the older poet Paul Verlaine, who left his wife to be with him. Rimbaud spoke graphically about engaging in sodomy with Verlaine, and complained that Verlaine sometimes expected him to top, when he would prefer to bottom. But about a decade later, after giving up life as a poet and becoming a trader in Africa, Rimbaud settled down with a local woman.
Disappointingly, the reviewer of these books in the New Yorker needlessly characterized Rimbaud as really heterosexual, suggesting that his earlier homosexual relationship was just a bit of performance art. The reviewer in the New York Review of Books more properly avoided imposing modern assumptions onto the sexuality of either poet, both of whom were clearly capable of having meaningful relationships with either sex.